I spent last night at a house concert by
Heather Dale, and I want to write about it here, because it was fabulous. I'm pretty sure I first stumbled across her music via iTunes (one of the very few times that's been this successful, in fact.)
Heather is a musician who started performing (and still does so extensively) via the Society for Creative Anachronism [1] about 15 years ago. For the last 8 years, she's been making a living as a travelling musician: she and her partner Ben are on the road about 8 months of the year. (She's also way sensible about the business side of it: she's got a blog on LJ at
zen_indie where she talks about that.)
First off, she's a fabulous performer in person - for those of you who've seen S.J. Tucker, they remind me a lot of each other, but Heather Dale is perhaps more quietly intense. There were multiple places last night where I had tears in my eyes, or my skin was crawling. Many of her pieces come out of SCA experiences and events, but in a way that remains powerful even if you don't know the people/stories/culture there (other than some very basic concepts, like the ideals of fealty and honor and such.) But many of her other pieces come out of myth and legend.
Arthurian: As many of you know, I have Opinions about Arthurian legend. Not surprising, given that one of my undergrad majors was Medieval/Renaissance Studies. A lot of modern Arthuriana drives me absolutely batty, and music even more so. Heather Dale's doesn't. There's places where she goes to a different take on a story than I would have thought of - but even with that, they're glorious and poignant, and the people in them are people, struggling and wishing and wanting, and sometimes failing.
I particularly like her "Tristan and Iseult" (a story I've long adored), and she did a chilling "Mordred's Lullaby" last night. And her "Holly, Ivy, and Yew" is a lovely story of Guinivere as wise queen (a part of the story a lot of retellings forget.) And there's "Culhwch and Owen", though without the long lists of names, which is probably a good thing in a song.
Myth: She also does a fabulous job with various myths and tales. She told the story of how she wrote her "Sedna" (which tells that myth) - her father was working up in the far north of Canada for a short time, and spent his evenings visiting with the elders of the village, so he could bring her back a treasury of stories. I also adore her "Medusa" which is a very different twist on the tale. Last night she sang "The Maiden and the Selkie", which is off her new album, and which was one of the 'chills up my back and tears in my eyes' songs for me.
There's lots of other good stuff, too. "Road to Santiago" reminds me of my mother (who has walked the entire route on foot now, over the time my grandmother was dying, she'd go spend a month with my grandmother, two weeks or so walking (picking up from the spot she'd left off in), fly back to the US for another month or six weeks, and then repeat.) "Joan", which is an incredibly powerful song about Joan of Arc. "One of Us", which she sang last night (which is on the one album I don't own yet).
All in all fabulous, and if/when she makes it through here again, I intend to be there.
( More about the house concert and my SCA history )